{"id":4505,"date":"2021-07-02T10:12:30","date_gmt":"2021-07-02T14:12:30","guid":{"rendered":"https:\/\/www.captionmagazine.org\/?p=4505"},"modified":"2022-01-19T10:24:37","modified_gmt":"2022-01-19T13:24:37","slug":"world-press-photo-2021","status":"publish","type":"post","link":"https:\/\/www.captionmagazine.org\/en\/libros\/world-press-photo-2021","title":{"rendered":"World Press Photo 2021"},"content":{"rendered":"\n<h3 class=\"wp-block-heading\">Selecci\u00f3n de CAPTION Magazine<\/h3>\n\n\n\n<p><strong>Lo mejor del WPP 2021  en una selecci\u00f3n del editor Nacho Izquierdo  gracias a la colaboraci\u00f3n de la editorial Blume Espa\u00f1a.<\/strong><\/p>\n\n\n\n<p>Introducci\u00f3n: Joumana El Zein Khoury, Directora Ejecutiva, World Press Photo<\/p>\n\n\n\n<p>Cuando comenc\u00e9 con mi cometido en febrero de este a\u00f1o, me sent\u00ed atra\u00edda de inmediato por el trabajo que se realizaba en el coraz\u00f3n del World Press Photo: las sesiones en las que el Jurado seleccionaba las mejores im\u00e1genes y reportajes gr\u00e1ficos de 2020. Fue un privilegio estar rodeada de inmediato de estas historias tan importantes y experimentar c\u00f3mo consiguen crear una representaci\u00f3n visual tan estratificada del mundo y de lo que las personas vivieron el pasado a\u00f1o, adem\u00e1s de c\u00f3mo invitan al espectador a sumergirse en los acontecimientos. Como siempre, las fotograf\u00edas y los reportajes seleccionados despertaron emociones e incrementaron la conciencia en todos nosotros. Ese es el poder de una buena fotograf\u00eda: proporcionar informaci\u00f3n con rapidez y emocionarnos.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/www.captionmagazine.org\/wp-content\/uploads\/2021\/07\/RS3016_104_Jasper-Doest-scr-1024x683.jpg\" alt=\"\" class=\"wp-image-4512\" srcset=\"https:\/\/www.captionmagazine.org\/wp-content\/uploads\/2021\/07\/RS3016_104_Jasper-Doest-scr-1024x683.jpg 1024w, https:\/\/www.captionmagazine.org\/wp-content\/uploads\/2021\/07\/RS3016_104_Jasper-Doest-scr-600x400.jpg 600w, https:\/\/www.captionmagazine.org\/wp-content\/uploads\/2021\/07\/RS3016_104_Jasper-Doest-scr-300x200.jpg 300w, https:\/\/www.captionmagazine.org\/wp-content\/uploads\/2021\/07\/RS3016_104_Jasper-Doest-scr-768x512.jpg 768w, https:\/\/www.captionmagazine.org\/wp-content\/uploads\/2021\/07\/RS3016_104_Jasper-Doest-scr-370x247.jpg 370w, https:\/\/www.captionmagazine.org\/wp-content\/uploads\/2021\/07\/RS3016_104_Jasper-Doest-scr-800x533.jpg 800w, https:\/\/www.captionmagazine.org\/wp-content\/uploads\/2021\/07\/RS3016_104_Jasper-Doest-scr-20x13.jpg 20w, https:\/\/www.captionmagazine.org\/wp-content\/uploads\/2021\/07\/RS3016_104_Jasper-Doest-scr-185x123.jpg 185w, https:\/\/www.captionmagazine.org\/wp-content\/uploads\/2021\/07\/RS3016_104_Jasper-Doest-scr-740x493.jpg 740w, https:\/\/www.captionmagazine.org\/wp-content\/uploads\/2021\/07\/RS3016_104_Jasper-Doest-scr-400x267.jpg 400w, https:\/\/www.captionmagazine.org\/wp-content\/uploads\/2021\/07\/RS3016_104_Jasper-Doest-scr-72x48.jpg 72w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>\u00a9 Jasper Doest<\/figcaption><\/figure>\n\n\n\n<p>Estoy encantada de que tuvi\u00e9ramos la oportunidad de pedir la colaboraci\u00f3n de algunos escritores de gran talento para que nos ayudaran a navegar por los mensajes a los que nos enfrentamos. Saskia Asser, curadora de fotograf\u00eda en el Rijksmuseum de \u00c1msterdam, nos ha guiado a trav\u00e9s de una serie de avances decisivos en el fotoperiodismo a lo largo de los 66 a\u00f1os de historia de World Press Photo, y concluye que &#8220;la independencia del fotoperiodismo en un medio de pleno derecho es total&#8221;.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/www.captionmagazine.org\/wp-content\/uploads\/2021\/07\/RS3011_053_Lalo-de-Almeida_Panos-Pictures_for-Folha-de-S\u00c3\u00a3o-Paulo-scr-1024x682.jpg\" alt=\"\" class=\"wp-image-4511\" srcset=\"https:\/\/www.captionmagazine.org\/wp-content\/uploads\/2021\/07\/RS3011_053_Lalo-de-Almeida_Panos-Pictures_for-Folha-de-S\u00c3\u00a3o-Paulo-scr-1024x682.jpg 1024w, https:\/\/www.captionmagazine.org\/wp-content\/uploads\/2021\/07\/RS3011_053_Lalo-de-Almeida_Panos-Pictures_for-Folha-de-S\u00c3\u00a3o-Paulo-scr-600x400.jpg 600w, https:\/\/www.captionmagazine.org\/wp-content\/uploads\/2021\/07\/RS3011_053_Lalo-de-Almeida_Panos-Pictures_for-Folha-de-S\u00c3\u00a3o-Paulo-scr-300x200.jpg 300w, https:\/\/www.captionmagazine.org\/wp-content\/uploads\/2021\/07\/RS3011_053_Lalo-de-Almeida_Panos-Pictures_for-Folha-de-S\u00c3\u00a3o-Paulo-scr-768x512.jpg 768w, https:\/\/www.captionmagazine.org\/wp-content\/uploads\/2021\/07\/RS3011_053_Lalo-de-Almeida_Panos-Pictures_for-Folha-de-S\u00c3\u00a3o-Paulo-scr-370x246.jpg 370w, https:\/\/www.captionmagazine.org\/wp-content\/uploads\/2021\/07\/RS3011_053_Lalo-de-Almeida_Panos-Pictures_for-Folha-de-S\u00c3\u00a3o-Paulo-scr-800x533.jpg 800w, https:\/\/www.captionmagazine.org\/wp-content\/uploads\/2021\/07\/RS3011_053_Lalo-de-Almeida_Panos-Pictures_for-Folha-de-S\u00c3\u00a3o-Paulo-scr-20x13.jpg 20w, https:\/\/www.captionmagazine.org\/wp-content\/uploads\/2021\/07\/RS3011_053_Lalo-de-Almeida_Panos-Pictures_for-Folha-de-S\u00c3\u00a3o-Paulo-scr-185x123.jpg 185w, https:\/\/www.captionmagazine.org\/wp-content\/uploads\/2021\/07\/RS3011_053_Lalo-de-Almeida_Panos-Pictures_for-Folha-de-S\u00c3\u00a3o-Paulo-scr-740x493.jpg 740w, https:\/\/www.captionmagazine.org\/wp-content\/uploads\/2021\/07\/RS3011_053_Lalo-de-Almeida_Panos-Pictures_for-Folha-de-S\u00c3\u00a3o-Paulo-scr-400x266.jpg 400w, https:\/\/www.captionmagazine.org\/wp-content\/uploads\/2021\/07\/RS3011_053_Lalo-de-Almeida_Panos-Pictures_for-Folha-de-S\u00c3\u00a3o-Paulo-scr-72x48.jpg 72w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>\u00a9 Lalo de Almeida<\/figcaption><\/figure>\n\n\n\n<p>Azu Nwagbogu, de la African Artists\u2019 Foundation (AAF), nos recuerda con raz\u00f3n la forma unilateral en la que los hombres blancos del mundo occidental dominaron la narraci\u00f3n en el pasado. Me alegra ser testigo de que tambi\u00e9n mira hacia el presente y el futuro, al destacar que World Press Photo \u201cnecesita tener el liderazgo moral, la valent\u00eda y la generosidad para empoderar a los ciudadanos [&#8230;] para que cuenten sus propias historias de manera \u00e9tica y responsable\u201d.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/www.captionmagazine.org\/wp-content\/uploads\/2021\/07\/RS3007_006_World-Press-Photo-of-the-Year-Nominee_Luis-Tato_for-The-Washington-Post-scr-1024x683.jpg\" alt=\"\" class=\"wp-image-4510\" srcset=\"https:\/\/www.captionmagazine.org\/wp-content\/uploads\/2021\/07\/RS3007_006_World-Press-Photo-of-the-Year-Nominee_Luis-Tato_for-The-Washington-Post-scr-1024x683.jpg 1024w, https:\/\/www.captionmagazine.org\/wp-content\/uploads\/2021\/07\/RS3007_006_World-Press-Photo-of-the-Year-Nominee_Luis-Tato_for-The-Washington-Post-scr-600x400.jpg 600w, https:\/\/www.captionmagazine.org\/wp-content\/uploads\/2021\/07\/RS3007_006_World-Press-Photo-of-the-Year-Nominee_Luis-Tato_for-The-Washington-Post-scr-300x200.jpg 300w, https:\/\/www.captionmagazine.org\/wp-content\/uploads\/2021\/07\/RS3007_006_World-Press-Photo-of-the-Year-Nominee_Luis-Tato_for-The-Washington-Post-scr-768x512.jpg 768w, https:\/\/www.captionmagazine.org\/wp-content\/uploads\/2021\/07\/RS3007_006_World-Press-Photo-of-the-Year-Nominee_Luis-Tato_for-The-Washington-Post-scr-370x247.jpg 370w, https:\/\/www.captionmagazine.org\/wp-content\/uploads\/2021\/07\/RS3007_006_World-Press-Photo-of-the-Year-Nominee_Luis-Tato_for-The-Washington-Post-scr-800x533.jpg 800w, https:\/\/www.captionmagazine.org\/wp-content\/uploads\/2021\/07\/RS3007_006_World-Press-Photo-of-the-Year-Nominee_Luis-Tato_for-The-Washington-Post-scr-20x13.jpg 20w, https:\/\/www.captionmagazine.org\/wp-content\/uploads\/2021\/07\/RS3007_006_World-Press-Photo-of-the-Year-Nominee_Luis-Tato_for-The-Washington-Post-scr-185x123.jpg 185w, https:\/\/www.captionmagazine.org\/wp-content\/uploads\/2021\/07\/RS3007_006_World-Press-Photo-of-the-Year-Nominee_Luis-Tato_for-The-Washington-Post-scr-740x493.jpg 740w, https:\/\/www.captionmagazine.org\/wp-content\/uploads\/2021\/07\/RS3007_006_World-Press-Photo-of-the-Year-Nominee_Luis-Tato_for-The-Washington-Post-scr-400x267.jpg 400w, https:\/\/www.captionmagazine.org\/wp-content\/uploads\/2021\/07\/RS3007_006_World-Press-Photo-of-the-Year-Nominee_Luis-Tato_for-The-Washington-Post-scr-72x48.jpg 72w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>\u00a9 Luis Tato\/The Washington Post<\/figcaption><\/figure>\n\n\n\n<div class=\"wp-block-button is-style-outline\"><a class=\"wp-block-button__link\" href=\"https:\/\/www.captionmagazine.org\/papel-digital-n10#page106\" style=\"border-radius:10px\" rel=\"noreferrer noopener\">Sigue leyendo este art\u00edculo en papel digital.<\/a><\/div>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Sitios Web<\/strong>: <\/p>\n\n\n\n<p><a rel=\"noreferrer noopener\" aria-label=\"blume.net (abrir en una nueva pesta\u00f1a)\" href=\"http:\/\/blume.net\" target=\"_blank\">blume.net<\/a> <\/p>\n\n\n\n<p><a rel=\"noreferrer noopener\" aria-label=\"instagram.com\/editorial_blume (abrir en una nueva pesta\u00f1a)\" href=\"http:\/\/instagram.com\/editorial_blume\" target=\"_blank\">instagram.com\/editorial_blume<\/a><a rel=\"noreferrer noopener\" aria-label=\"facebook.com\/anna.kazanova.5\n (abrir en una nueva pesta\u00f1a)\" href=\"https:\/\/www.facebook.com\/anna.kazanova.5\" target=\"_blank\"><br><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Selecci\u00f3n de CAPTION Magazine Lo mejor del WPP 2021 en una selecci\u00f3n del editor Nacho Izquierdo gracias a la colaboraci\u00f3n de la editorial Blume Espa\u00f1a. Introducci\u00f3n: Joumana El Zein Khoury, Directora Ejecutiva, World Press Photo Cuando comenc\u00e9 con mi cometido en febrero de este a\u00f1o, me sent\u00ed atra\u00edda de inmediato por el trabajo que se&hellip;<\/p>\n","protected":false},"author":4,"featured_media":4507,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[238],"tags":[701,322,323],"thb-sponsors":[],"class_list":["post-4505","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-libros","tag-n10","tag-world-press-photo","tag-wpp"],"_links":{"self":[{"href":"https:\/\/www.captionmagazine.org\/en\/wp-json\/wp\/v2\/posts\/4505","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.captionmagazine.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.captionmagazine.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.captionmagazine.org\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.captionmagazine.org\/en\/wp-json\/wp\/v2\/comments?post=4505"}],"version-history":[{"count":9,"href":"https:\/\/www.captionmagazine.org\/en\/wp-json\/wp\/v2\/posts\/4505\/revisions"}],"predecessor-version":[{"id":4544,"href":"https:\/\/www.captionmagazine.org\/en\/wp-json\/wp\/v2\/posts\/4505\/revisions\/4544"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.captionmagazine.org\/en\/wp-json\/wp\/v2\/media\/4507"}],"wp:attachment":[{"href":"https:\/\/www.captionmagazine.org\/en\/wp-json\/wp\/v2\/media?parent=4505"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.captionmagazine.org\/en\/wp-json\/wp\/v2\/categories?post=4505"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.captionmagazine.org\/en\/wp-json\/wp\/v2\/tags?post=4505"},{"taxonomy":"thb-sponsors","embeddable":true,"href":"https:\/\/www.captionmagazine.org\/en\/wp-json\/wp\/v2\/thb-sponsors?post=4505"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}